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Dance

Highlights

    1. Critic’s Notebook

      The Surprise of the Olympics: Breakers’ Delight

      Breaking, the dance form created more than 50 years ago in the Bronx, has made its Olympic debut. It’s not a sport, but does that matter?

         By

      Nicka of Lithuania, the 17-year-old women’s silver medalist, radiated a kind of bliss while performing.
      Nicka of Lithuania, the 17-year-old women’s silver medalist, radiated a kind of bliss while performing.
      CreditChang W. Lee/The New York Times

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Speaking in Dance

More in Speaking in Dance ›
  1. A Star Ballerina Steps Into an Art Gallery

    Sara Mearns’s long lines, from her feet to her expressive fingers, come to exquisite life in this duet, choreographed by Jodi Melnick.

     

    CreditMohamed Sadek for The New York Times
  2. Watch Three Dancers Pony Step Into the Sunset

    A jaunty trio prances across the stage in Pam Tanowitz’s new work for Little Island.

     

    CreditMohamed Sadek for The New York Times
  3. Watch a Sisterhood of Budding Ballerinas

    Five students from the School of American Ballet perform an excerpt from George Balanchine’s classic “Serenade.”

     

    CreditMohamed Sadek for The New York Times
  4. Watch a Tap Dance That Transcends Time

    For her improvised solo to Max Roach and Cecil Taylor, Ayodele Casel said “the way in is to honor what you’re hearing.”

     

    CreditFletcher Wolfe for The New York Times
  5. Rugged, Physical Work With Durability

    In Abby Zbikowski’s “Radioactive Practice,” a dancer says, “You’re seeing survival and community in real time.”

       By

    CreditRudolf Costin for The New York Times
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  3. Critic’s Spotlight

    What if All Dance Forms Were Considered Equal?

    At the Palais Garnier, ballet met hip-hop and beyond in a glittering Cultural Olympiad presentation of Saïdo Lehlouh’s ever-evolving “Apaches.”

    By Gia Kourlas

     
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  8. How to Teach a Horse to Dance

    A dressage rider explains how she and her horse, Jagerbomb, made it to the Olympics.

    By Alex Marshall and Bobby Beasley

     
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