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Art and Design

Highlights

  1. Young Artists Rode a $712 Million Boom. Then Came the Bust.

    Artists saw six-figure sales and heard promises of stardom. But with the calamitous downturn in the art market, many collectors bolted — and prices plummeted.

       By Zachary Small and

    Amani Lewis, shown with a 2024 painting, “Galatians 6:2 — the carriers,” in an artspace in Miami. Another work’s value plummeted by 90 percent. The painter said, “It feels like ‘We’re done with Amani Lewis.’”
    Amani Lewis, shown with a 2024 painting, “Galatians 6:2 — the carriers,” in an artspace in Miami. Another work’s value plummeted by 90 percent. The painter said, “It feels like ‘We’re done with Amani Lewis.’”
    CreditYsa Pérez for The New York Times
    1. How Tau Lewis Channels the Spirit World

      Her first solo museum exhibition, at the Institute of Contemporary Art, Boston, is full of towering, mysterious beings. The exhibit is “all grief work,” she said.

         By

      Tau Lewis in her Brooklyn studio, among the giant figures — each about 12 feet tall — that will be part of her first museum show, in Boston.
      Tau Lewis in her Brooklyn studio, among the giant figures — each about 12 feet tall — that will be part of her first museum show, in Boston.
      CreditJeenah Moon for The New York Times
    2. Was That a James Turrell I Just Skied By?

      Why yes it was, courtesy of the Netflix co-founder Reed Hastings, who is underwriting a big outdoor art program at the ski resort he bought.

         By

      “Relay (Powder Mountain),” 2023, by Gerard & Kelly.
      “Relay (Powder Mountain),” 2023, by Gerard & Kelly.
      CreditDrew Rane/Carlson, via Powder Mountain
  1. An Undersung and Unruly Woodstock in Pictures, 30 Years On

    A new photography show celebrates the 30th anniversary of Woodstock 1994, middle child to the festivals of 1969 and 1999.

       By

    CreditDanny Clinch
  2. Illuminating a Trailblazing Artist Who Died Too Young

    In her first American museum show, Paula Modersohn-Becker looks bracingly modern.

       By

    Installation view of “Paula Modersohn-Becker: Ich bin Ich / I Am Me” at the Neue Galerie in New York, in an overdue show. The artist, famous in Germany, homed in on the primal.
    CreditAnnie Schlechter
    Critic’s Pick
  3. The Odd Duck of Antiguan Art, in His Ecstatic, Expressionist Glory

    At the Drawing Center, the revival of the polymath Antiguan artist continues with a stack of his written archive displayed alongside his expressionist paintings.

       By

    Frank Walter’s “Red Sun,” undated, oil on paper (Polaroid box cover) in the show “Frank Walter: To Capture a Soul“ at the Drawing Center.
    Creditvia The Walter Family and The Drawing Center, New York
    Art Review
  4. This Enormous Artwork Turns a Palace Into a Pawnshop

    Christoph Büchel’s vast installation in Venice is compelling, obsessive and sometimes hilarious.

       By Scott Reyburn and

    “Monte di Pietà,” a sprawling, multilayered project by the Swiss-born artist Christoph Büchel, at The Prada Foundation, is currently the most-talked about show in Venice.
    Credit
  5. What to See in N.Y.C. Galleries in August

    This week in Newly Reviewed, Walker Mimms covers the overlooked artist Ker-Xavier Roussel, Fritz Scholder’s paintings and a group show in a modest office-like space.

       By Jillian SteinhauerMartha Schwendener and

    Paul Gagner’s “Plein Air Painting on Mars,” 2024, oil on canvas.
    Creditvia Paul Gagner and Hashimoto Contemporary, New York

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  2. 36 Hours

    36 Hours in Provincetown, Mass.

    P-town offers overlapping identities: one of America’s oldest art colonies, nature preserve, thriving L.G.B.T.Q. resort and historic Portuguese fishing village.

    By Brett Sokol

     
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